The Best Drama Movies on Netflix Right Now


The beauty of Netflix is that the streaming service has a wealth of genre options at your disposal. If you want to get your action fix on, you are free to do so. If you’re in the mood for a comedy, thriller, or straight-up horror movie, they’ve got those as well. But sometimes it’s hard to beat a genuinely great drama, and boy does Netflix have a wealth of options in this particular genre. To help whittle down your choices, we’ve gone ahead and curated a list of the very best dramas on Netflix right now, which run the gamut from period pieces to relationship dramas to little-known gems. There are movies from big, well-known filmmakers on this list, and there are also films from up-and-comers that are absolutely worth checking out.


So peruse through our list of the best drama movies on Netflix below, and get to watchin’. But beware: some of these may require a tissue or seven.

Editor’s note: This article was updated October 2022 to include Lou.

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Rebecca (2020)

Run Time: 2 hr 3 min | Director: Ben Wheatley

Cast: Lily James, Armie Hammer, Kristin Scott Thomas, Keeley Hawes, Ann Dowd, Sam Riley

It may seem sacrilegious to remake an Alfred Hitchcockclassic (particularly one that took home Best Picture), but Ben Wheatley’s adaptation of the beloved Daphne du Maurier novel certainly takes the tormented romance in a different direction. While Hitchcock’s version was hauntingly restrained, Wheatley captures perpetual anxiety within an exaggerated melodrama. Wheatley is known best for his endeavors in the horror genre, so seeing him do a gothic romance is an interesting change of pace. There aren’t a lot of actresses who could have lived up to Joan Fontaine, but Lily Jameswas up to the challenge. Kristin Scott Thomas gives a standout performance as the scheming, embittered Mrs. Danvers. — Liam Gaughan

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Lou (2022)

Run Time: 1 hr 49 min | Director: Anna Foerster

Cast: Allison Janney, Jurnee Smollett, Logan Marshall-Green

Allison Janney and Jurnee Smollett teaming up and kicking ass to save a young girl – need I say more? Okay, okay, if you’re not sold quite yet, here’s a more in-depth synopsis. Set in the 80s, Lou revolves around Hannah (Smollett), a mother who enlists the help of her loner neighbor Lou (Janney) to help get her daughter back after a dangerous man kidnaps her in the middle of a large storm. Endlessly thrilling and full of twists, Lou is a fun, suspenseful ride that allows Janney to flex her action chops. – Taylor Gates

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Disobedience (2017)

Run Time: ​​​​​​​1 hr 54 min | Director: Sebastián Lelio

Cast: Rachel Weisz, Rachel McAdams and Alessandro Nivola

Disobedience is full of angst and passion, a love story that tears your heart from your chest. Ronit (Rachel Weisz) returns to the Orthodox Jewish community that shunned her for her attraction to a female childhood friend (Rachel McAdams). Once back, their passions reignite as they explore the boundaries of faith and sexuality. From Sebastián Lelio, Disobedience brings this melancholy to the screen, which lives through Ronit and Esti’s passion and love for each other. Forbidden love is portrayed on-screen with such an intense feeling that a breath is held every time they are onscreen together. It’s a love story that breaks you, one that showcases the best and worst in people, and one that deserves to be witnessed repeatedly. – Arianne Binette

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Purple Hearts (2022)

Run Time: ​​​​​​​2 hr 2 min | Director: Elizabeth Allen Rosenbaum

Cast: Sofia Carson, Nicholas Galitzine, Chosen Jacobs, John Harlan Kim

You know what they say: opposites attract. Purple Hearts proves this theory true, as the story centers on a romance between two very different people. On one hand, there’s Cassie (Sofia Carson), a progressive singer; on the other, you have Luke (Nicholas Galitzine), a conservative military man. Both up against the wall with insurance and debt issues, the two decide to get married for financial benefits, and a classic fake-relationship-turned-real-one trope begins. Purple Hearts combines passionate romance with tear-jerking drama and even some excellent comedic beats, making for a highly watchable flick. – Taylor Gates

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Beauty (2022)

Run Time: ​​​​​​​1 hr 35 min | Director: Andrew Dosunmu

Cast: Gracie Marie Bradley, Niecy Nash, Aleyse Shannon

Written by Lena Waithe, the mind behind TV hits like The Chiand Twenties, Beauty centers around a young woman named Beauty (Gracie Marie Bradley), a gifted singer on the brink of stardom. When she’s offered an impressive recording contract, she struggles to stay true to herself and her identity while also navigating an oppressive religious environment. In addition to being a riveting family drama and film about the price of fame, there’s also a beautiful queer love story between Beauty and her girlfriend Jasmine. The film is heavily inspired by the life of Whitney Houston, so if you’re a fan of The Voice, you’re sure to find Beauty to be a compelling watch. – Taylor Gates

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Hustle (2022)

Run Time: 1 hr 57 min | Director: Jeremiah Zagar

Cast: Adam Sandler, Juancho Hernangomez, Queen Latifah

A film that once again proves that Adam Sandler has the acting chops to take on more serious roles, Hustle is a sports drama that is as sincere as it is sturdy. Sandler plays Stanley Sugarman, a struggling basketball talent scout who aspires to be a coach. After a career setback, he will hitch his hopes and money on a talented unknown player named Bo Cruz. Played by real-life player Juancho Hernangómez, Cruz must leave home and begin training with Sandler for a chance at making a career in the NBA. It is an underdog story through and through, charming without being cloying in a manner that more than wins you over. Even as it doesn’t reinvent the wheel, Sandler is as good as he has ever been in melding his comedic and serious sensibilities into one measured performance. The montages, bonding, and emotional development all work quite well, making it a film that never fails to win you over even when its characters often lose. – Chase Hutchinson

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Sorry to Bother You (2018)

Run Time: ​​​​​​​1 hr 52 min | Director: Boots Riley

Cast: Lakeith Stanfield, Tessa Thompson, Jermaine Fowler, Omari Hardwick

It’s best to go into the absolutely bonkers movie Sorry to Bother You as cold as possible, but if you need to know the brief synopsis, it follows Cassius Green (Lakeith Stanfield), a young black man who discovers he’s a wiz at telemarketing when he puts on his “white voice”, but as he starts becoming more successful, he begins to compromise his values. But that’s just the basic premise of Boots Riley’s scathing satire on race, capitalism, art, masculinity, and commerce. It’s not a film that works 100% of the time, but its ambition is undeniable and the film is at turns hilarious, damning, and completely insane. – Matt Goldberg

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Okja (2017)

Run Time: ​​​​​​​2 hr 1 min | Director: Bong Joon Ho

Cast: Seo-hyun Ahn, Paul Dano, Steven Yeun, Tilda Swinton, Jake Gyllenhaal

A fantastical yet heartfelt story of a young girl and her pig, Okjais writer-director Bong Joon Ho at his most sentimental without sacrificing any of his sublime sense of craft. It follows Mija (Seo-hyun Ahn), one of several groups of people who have been tasked with raising a super pig for a giant corporation that intends to use them for food. Known as Okja, when the corporation comes to collect, it sets off a series of high-stakes attempts to get her back. The film finds a dark sense of humor in everything, from jokes about language to whatever is going on with one of Jake Gyllenhaal’s most eccentric performances. As Mija travels on her way, she also meets up with Jay (Paul Dano) and K (Steven Yeun), who are part of an animal rights activist group that also wants to liberate Okja. All of this expanding cast is outstanding, hitting both the comedic and serious notes when the film needs them to. It is a more hopeful film than most of the director’s works, though it still remains committed to finding more tragic truths amidst the bright colors and vibrant visuals we see along the way. – Chase Hutchinson

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I’m Thinking of Ending Things (2020)

Run Time: ​​​​​​​2 hr 14 min | Director: Charlie Kaufman

Cast: Jesse Plemons, Jessie Buckley, Toni Collette, David Thewlis

A remarkable work of adaptation from one of the best to ever do it, Charlie Kaufman’s I’m Thinking of Ending Things takes an already remarkable book and makes it so much more. It centers on Jessie Buckley,who plays a woman who is intended to end things with her boyfriend, Jesse Plemons’ Jake. However, she still decides to take a trip to meet his parents before doing so. Conversations on the drive feel just a little bit off, as there are interjections and strange disruptions that all begin to get under your skin. It only gets more reflective from there, breaking down the narrative boundaries set out for itself to reveal something far more resonant. The less you know about it, the better, as it is a film where every cut and each line packs a significance. This makes it a rich text that only gets more so each time you see it, making it an enduring piece of work that only gets more intriguing with each subsequent rewatch. – Chase Hutchinson

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Operation Mincemeat (2021)

Run Time: ​​​​​​​2 hr 8 min | Director: John Madden

Cast: Colin Firth, Matthew Macfayden, Johnny Flynn, Kelly MacDonald, Johnny Flynn

There were many inspiring World War II stories that have been buried in the archives for decades. The details of a 1943 Allied deception operation were largely unreported, but Operation Mincemeat finally gives these heroes the recognition that they deserve. In order to prevent a potential massacre, Lieutenant Commander Ewen Montagu (Colin Firth) and his ally Charles Cholmondeley (Matthew Macfadyen) plant false information on the corpse of a vagrant. They determine that if the Nazis intercept the papers, they will be led to draw the wrong conclusions. Although Ewen and Charles aren’t directly in the line of fire, they know that their failure could spell certain doom for the British forces. –Liam Gaughan

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The Half of It (2020)

Run Time: ​​​​​​​1 hr 45 min | Director: Alice Wu

Cast: Leah Lewis, Daniel Diemer, Alexxis Lemire and Collin Chou

One of those films that look like a simple romantic coming-of-age film but is actually about so much more, Alice Wu’s coming-of-age movie is one of the most delicate and thoughtful films of the last decade. Ellie Chu (Leah Lewis) begins writing love letters on behalf of the inarticulate Paul Munsky (Daniel Diemer) to his – and her – crush, Aster Flores (Alexxis Lemire). A modern retelling of Cyrano de Bergerac, The Half of Itis Wu’s at her strongest. Creating visuals that elevate the narrative and a story that brings you all the emotion and pairing it with the coming-of-age aspect of Ellie’s sexuality makes it into a film that is layered and perfect for multiple rewatches. – Arianne Binette

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The King (2019)

Run Time: ​​​​​​​2 hr 20 min | Director: David Michod

Cast: Timothee Chalamet, Joel Edgerton, Robert Pattinson

David Michod may not be a household name yet, but the Australian writer-director has already crafted a diverse filmography that includes satirical biopics (War Machine), crime thrillers (Animal Kingdom), and stirring post-apocalyptic neo-westerns (The Rover). Leave it to a filmmaker this versatile to make one of the most gripping, violent Shakespearean epics of the past decade. The Kingexplores the coming-of-age tale of the young Prince Hal (Timothee Chalamet) as he’s exposed to the realities of combat. Hal inherits the English throne after his father, King Henry IV (Ben Mendeslohn), suddenly passes away. Chalamet does a remarkable job making the beloved text feel vibrant again, and Joel Edgerton gives a performance as Halstaff worthy of Orson Welles. — Liam Gaughan

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The Power of the Dog (2021)

Run Time: ​​​​​​​2 hr 6 min | Director: Jane Campion

Cast: Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons, Kodi Smit-McPhee

A mesmerizing work from one of cinema’s greatest directors, Jane Campion, The Power of the Dogis a film that you have likely heard a lot of praise about. I am here to tell you that not only does it deserve it and all the awards it has gotten, it is worth experiencing for itself as it defies all expectations. A slow-burn of a Western, it stars Benedict Cumberbatch as the menacing Phil Burbank. A cowboy with a mean streak, he becomes bitter when his brother George (Jesse Plemons) marries Rose Gordon (Kirsten Dunst). Masking his fears of abandonment, Phil begins to torment Rose and her young son Peter (Kodi Smit-McPhee). The various dynamics between the characters are all fully realized because of the uniformly outstanding performances, creating a family drama that is small in scope though vast in ambition. It is a film where you best go in knowing as little as possible as it sneaks up with you with both its beauty and quiet dread that could not be more perfectly executed. — Chase Hutchinson

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tick, tick…BOOM! (2021)

Run Time: ​​​​​​​1 hr 55 min | Director: Lin-Manuel Miranda

Cast: Andrew Garfield, Alexandra Shipp, Vanessa Hudgens

The biographical musical drama tick, tick…BOOM! tells the beautiful and heartbreaking true story of Jonathan Larson (Andrew Garfield), a young, ambitious composer, playwright, and lyricist (who would later write the legendary rock musical Rent), who’s riddled with insecurity and the insurmountable odds against him to make it as an artist in New York City. When he’s not feverishly jotting down lyrics or cold-calling other artists, he’s waiting tables at the Moondance Diner, balancing his work life with his romantic life, and dealing with the harsh reality of the AIDS crisis. Garfield soars in the lead role and carries an excellent ensemble cast through stellar musical numbers you won’t want to miss. — Emily Bernard

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Passing (2021)

Run Time: ​​​​​​​1 hr 39 min | Director: Rebecca Hall

Cast: Tessa Thompson, Ruth Negga, Bill Camp, André Holland

Based on the 1929 novel of the same name by Nella Larsen, Passing,as its title suggests, chronicles the inequality and varying degrees of racism African Americans in the 1920s faced based on the tone of their skin. Shot in black and white, this historical drama follows the fragile relationship between two high school friends who, because of their light skin, are able to “pass” as white. Clare (Ruth Negga) married John (Alexander Skarsgård) a wealthy white man from Chicago who loathes African Americans and is oblivious to the fact that his wife is one. Irene (Tessa Thompson) married a black doctor and lives in Harlem, and lives in constant fear of being “outed” as black when in white-only establishments. Irene and Clare’s reunion years later sparks conversation and reflection, as well as the questioning of identity. Negga and Thompson give honest, BAFTA-nominated performances in the film. — Emily Bernard

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The Lost Daughter (2021)

Run Time: ​​​​​​​2 hr 1 min | Director: Maggie Gyllenhaal

Cast: Olivia Colman, Dakota Johnson, Jessie Buckley, Ed Harris, Dagmara Dominczyk, Paul Mescal

Motherhood takes a toll. That’s the core message in The Lost Daughter, the eerie, psychological drama based on Elena Ferrante’s novel of the same name. In Gyllenhaal’s impressive directorial debut, we meet Leda (Olivia Colman), a woman taking a solo beach vacation who witnesses Nina (Dakota Johnson) struggling to adjust to life as a young mother. During Leda’s interactions with Nina, and observations of the other people on the beach, she’s forced to reexamine the traumatic experiences she had raising her two daughters, and questions the decisions that led her to this point in her life. Gyllenhaal won Best Director, Screenplay, and Feature at the Film Independent Spirit Awards. — Emily Bernard

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Ma Rainey’s Black Bottom (2020)

Run Time: ​​​​​​​1 hr 34 min | Director: George C. Wolfe

Cast: Viola Davis, Chadwick Boseman, Glynn Turman, Colman Domingo

When it comes to the blues, no one can beat Ma Rainey. Based on August Wilson’s 1982 play of the same name, Ma Rainey’s Black Bottom takes place in 1927 Chicago and follows the groundbreaking blues singer Ma Rainey (Viola Davis) during a high-stakes recording succession with her band, which includes the equally-stubborn Levee (Chadwick Boseman) and veteran musician Toledo (Glynn Turman). Egos are tested and tensions are raised when Ma shows up late to the session and insists on certain demands. A turbulent afternoon breeds important conversations about race, gender, and the power of art. Davis was nominated for an Oscar for her performance. — Emily Bernard

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The Unforgivable (2021)

Run Time: ​​​​​​​1 hr 53 min | Director: Nora Fingscheidt

Cast: Sandra Bullock, Viola Davis, Vincent D’Onofrio, Jon Bernthal, Aisling Franciosi

What happens when you do something that’s unforgivable? The aptly titled crime drama The Unforgivable, which is based on Sally Wainwright’s British miniseries Unforgiven, follows Ruth Slater (Sandra Bullock) who, after serving two decades in jail for murdering a sheriff who tried to evict her and her little sister from their home, is ready to re-enter society and build a new life. The truth behind her actions as well as her burning desire to reunite with her sister, however, haunts and hinder her from fulfilling that goal. Against her better judgment, she returns to the site of the murder and meets the new family living in the home, creating new enemies along the way. The Unforgivable features a career-best performance by Bullock. — Emily Bernard

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The Guilty (2021)

Run Time: ​​​​​​​1 hr 31 min | Director: Antoine Fuqua

Cast: Jake Gyllenhaal, Christina Vidal, Adrian Martinez

Hello, operator? A remake of the 2018 Danish film Den Skyldige, The Guilty focuses on Joe Baylor (Jake Gyllenhaal), a demoted police officer stuck fielding calls on the night shift of a 9-1-1 call center. When one particular call comes through from a kidnapped woman, Joe is forced to confront his checkered past, which is perhaps not as innocent as we’re led to believe. In this crime thriller, which practically doubles as a one-man show, Gyllenhaal embodies the real-time anxieties, unpredictabilities, and life-and-death scenarios that 9-1-1 operators must deal with on a daily basis. — Emily Bernard

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Rush (2013)

Run Time: ​​​​​​​2 hr 2 min | Director: Ron Howard

Cast: Chris Hemsworth, Daniel Bruhl, Olivia Wilde, Alexandra Maria Lara, and Pierfrancesco Favino

Once upon a time, the creator of The Crown teamed up with legendary director Ron Howard and two Marvel stars to make an exciting, racing drama – and nobody saw it. 2013’s Rush is a criminally underrated film, and it features one of Chris Hemsworth’s best dramatic performances as daring Formula One driver James Hunt. The film chronicles Hunt’s rivalry with Austrian driver Nikki Lauda (Daniel Bruhl), with each actor getting pretty even screentime as Howard crafts a story of two very different men who were driven to be the best at what they do. The 1970s aesthetic is tangibly conjured by cinematographer Anthony Dod Mantle, and the racing scenes are wildly exciting. – Adam Chitwood

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